LENI STERN has made her marks in the world of jazz with her trademark inventive guitar exploration and her unrestricted sound that perfunctorily makes use of her diverse musical and cultural influence. Join Leni and Lorens as she talks about microphones, artist grants, African music, self-releasing a record, and many other important yet fun stuff. (Music credit: ‘Hide and Seek’ and ‘Mercy’ by Leni Stern).

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Leni Stern is a traveler. Borders are not important, as she fits in effortlessly from place to place. The many languages of rhythm are her passports, her love of people fixes her destinations, and time marks her well-earned path. For over 25 years Stern has found motivation in the ever-changing world around her for the music that she plays, a sound that is equally transforming, malleable, fluid, and moving. Traveling. She came from Europe, put roots down in America, followed the winds to Africa, and her sights are always on the horizon.

It is unique to find a musician so proficient at their art form but who still admits to finding inspiration in the music and culture of the current events around them. Stern’s success as a jazz guitarist (awarded Gibson Guitar’s Female Jazz Guitarist of the Year Award five consecutive years) was no reason to rest on her laurels. Early on she led bands supported by heavyweights, the only ones who could support her big sound and strong melodies (Dennis Chambers, Bill Frisell, Michael Brecker, Paul Motian). As a former actress in Germany, Stern was no stranger to using her voice to connect with her audience. After 6 highly acclaimed instrumental albums Stern bravely chartered the vocal waters on her 1995 album “Words” with the first of many songs to come accompanied by her monster guitar chops.

The voice connects us to each other through words and imagery. With the ability to fluidly speak five languages, Stern found doors open to study the music of different countries and cultures, dipping her toes into an ocean of possibilities. India, Madagascar, Peru, Kenya, Mali and Senegal opened their doors to her as she opened her heart to them. Studying and working alongside some of the greatest musicians around the world (Zakir Hussain, Baaba Maal, Salif Keita, Ami, Sacko, Toumani Diabate) Stern developed her abilities into a vocabulary vast and unnamable. Was it jazz? Was it world? Was it folk? Was it rock? Did it matter?

In the most recent years Sterns lyrics have focused on the natural world, fascinated with the energy of the earth and of the water and the heavens. She sings of sorcerers and animal guides, serpents and tall trees, the depths of the oceans and always, always of love. She writes of the experience of her travels and the beauty of the people who have drawn her into their lives. Her musical family is large and always growing, just like the music she makes with them. Her groundbreaking 2007 album “Africa” drew from those deep family bonds as she introduced the world to her new connections in Mali. It was there that Stern truly found a spiritual home. Her next five albums would highlight those connections, with master musicians and a new musical voice spoken through the traditional African banjo, the n’goni, which Stern learned from world-renowned artist Bassekou Kouyate.

Stern was last recording in Mali during the 2012 coup d’état, an experience that shook her and left her heartbroken for her beloved adopted home. Instead of returning to work again in the unstable country, Stern’s American emigrant NYC bandmates Mamadou Ba and Alioune Faye accompanied her to their Senegalese homeland to record her latest album “Dakar Suite” (2016), featuring Faye’s family sabar percussion ensemble. The album is a celebration of sorts, a triumph of a life lived fully. It inspires dancing as well as quiet thought, and offers many glimpses into the travels that brought her to this point in her musical life. The trip is only just beginning for Leni Stern.